I enjoy Peter Tomasi's work, and Outsiders: The Deep continues a line of quality work that includes Nightwing and Green Lantern Corps. But despite an interesting premise and some welcome continuity notes, the story never quite distinguishes itself beyond standard superheroics, and it makes me hesitant to continue following this title.

Alfred, Batman's faithful butler, leads the Outsiders -- I can certainly see how many might dismiss this as preposterous, but I rather enjoyed it. To me, it seems even more ridiculous that Alfred could be Batman's partner all those years and not be capable of heroics of his own; indeed it's past time someone acknowledged, as Tomasi does, that Alfred is in essence Batman's father. Tomasi achieves a tone somewhere between Mission Impossible and Charlie's Angels as Alfred directs the Outsiders remotely, and the cloak and dagger beginning was about the best part of this story.

Tomasi attempts to take a page here from Geoff Johns' playbook, positing a connection between everything else you've ever read about the Outsiders -- that Batman hand-chose all the teams because of how they represent his own abilities on a grand scale, and that the major villains they fought over the years have all been foot soldiers for a shadowy organization called, of all things, the Insiders. This might have been interesting if it worked, but Tomasi fails to offer any real proof for the last point, and indeed the Insiders present as such run-of-the-mill villains -- they'll live forever even if it causes the death of innocents -- that perhaps it would be better if they weren't so tied to Outsiders lore.

The true strength of this story is in the long history between the characters -- that's the real "deep" here. Geo-Force, Katana, and Black Lighting, especially, have never been A-list superheroes, but they've stuck by one another a long time. When Geo-Force and Lightning fight (or Geo-Force and Katana kiss), Tomasi brings out the nuances of their feelings for one another, with clear, expressive expressions from artist Lee Garbett.

Similarly, I appreciated Tomasi making full use of continuity in this book. Outsiders: The Deep rests on both Final Crisis: Revelations, and DC Universe: Last Will and Testament, and Tomasi effectively weaves this story. Geo-Force's rivalry with Deathstroke the Terminator burns palpable in their scenes together on the page, and Tomasi also writes the first meeting, in recent memory, between Ra's al Ghul and Vandal Savage, noting recent changes to both characters. If you were a fan of either of the previous stories, this is your next stopping point, though the tertiary nature of those tales can make The Deep also feel like an afterthought.

Indeed, my difficulty with The Deep is that nothing much comes of the book's sound and fury. Amidst numerous cut-scenes of the Insiders worrying about their immortality, the Outsiders run around a bit, fight a robot, run around some more, fight Deathstroke, and then defeat the Insiders largely through a deus ex machina shuttle crash; Ra's al Ghul and Vandal Savage barely have anything to do with the plot at all. The Outsiders are right, the Insiders are wrong, and the story's resolved neatly in the end. Tomasi makes no egregious mistakes and treats the characters with care, but the story offers no larger payoff for the reader, and as such I'm not left with much impetus to come back again.

Of course, it's perhaps because of this very thing that, after the next volume, Outsiders: The Hunting, this title gets a new writer (Dan DiDio himself) ... and begins to tie to Superman: New Krypton. That's something of a dilemma for me, because on one hand, I'm none too impressed with the current Outsiders tenuous ties to Batman RIP, and I don't expect the ties to Superman to be any more solid; on the other hand, the completist in me wants everything related to New Krypton even if it's just the barest mention in an issue. And if I'm already going to buy the next Outsiders trade after The Hunting, it stands to reason I might as well just buy Hunting as well. And while I recognize I'm in a quandry of my own making here (and "I could stop any time," so to speak), this is where a comics fan begins to get a little frustrated.

[Contains full covers, Garbett sketchbook]

Despite that reading this Outsiders makes me miss my much-favored team from a few years past, Peter Tomasi treats some old heroes with respect in this volume, and I appreciate it even if The Deep wasn't quite a hit for me.
A programming note: Starting next week and continuing the week after, the Collected Editions blog will have a special look back at a DC Comics Archives series while a large amount of our readership goes on vacation. Please continue to feel free to leave comments on the site, and we'll be around for any breaking news should it arrive.

***

I felt disappointed last month that DC's February 2010 solicitation of the Gotham Sirens: Union hardcover only included the first seven issues of that series, and none of writer Paul Dini's uncollected work, but there's a ray of hope in DC's March 2010 solicitations. The first collection of Dini's other new Batman series, Streets of Gotham (renamed for the trade Batman: The Streets of Gotham: Hush Money) contains Detective Comics #852 and Batman #685 -- that is, the "Faces of Evil" issues that followed Dini's Heart of Hush storyline. Now if we could only get collected Detective Comics #851 and Batman #684, two issues that followed directly after Batman RIP ...

The JLA Deluxe Edition Vol. 3 (or JLA Omnibus) contains, as we predicted, the Sandman, Ultramarine Corps, and "Crisis Times Five" issues. A bit of a surprise is the JLA #1,000,000 issue, some compromise between ignoring the DC One Million crossover referenced in this collection and not re-collecting the entire series. This story is not actually collected in the DC One Million trade paperback, so it's not a complete loss for completists; if I recall, this particular issue takes place largely on the present-day JLA Watchtower, and it's possible it could read relatively seamlessly within this book, or so I hope.

I'm glad to see that Oracle: The Cure contains some missing Birds of Prey issues, but there's still some debate as to whether issue #125 is in here, or only #126-127. If there's just one Birds of Prey issue left uncollected from the end of the end of the run, and Oracle: The Cure turns out to be just five issues when it could have been six, I will be very annoyed.

Additionally for the completists out there, Booster Gold: Day of Death has the Brave and the Bold issue #23 that included Booster and Magog. Granted, I still scratch my head as to why the DC Universe needed a Magog series; according to Marc-Oliver Frisch over at The Beat, the book's sales have dropped a total of 50% over its first three months.

The collection of Scott Kolin's Solomon Grundy miniseries, thankfully, also includes the "Faces of Evil" special. If you want a real throughway from Final Crisis to Blackest Night, this Solomon Grundy miniseries started with one and ends with the other.

Finally, apparently Superboy: Redemption, the collection of the first new Adventure Comics issues, has been renamed Superboy: The Boy of Steel. Apparently this includes issues #0-3 and 5-6, dropping the Blackest Night crossover in issue 4 (presumably, the only contents from issue #5 are the Superboy co-feature, and not the second part of the Blackest Night story). Maybe the Blackest Night parts will end up in the rumored Blackest Night: Tales of the Corps volume two collection?

We imagine the Legion stories from Adventure Comics will be collected on their own; the material from issue #0 is likely just the "Origins & Omens" section.

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In some other bits of news, DC announced via The Source today that it will publish the long-unavailable Superman vs. Muhammad Ali in not one, but two hardcover editions. The Source calls the first hardcover a "deluxe" edition with sketchbook and new cover by Neal Adams, but whether "deluxe" means "deluxe format size" (like Batman RIP) is unclear. The second hardcover will have the same trim size as the original tabloid comic, so it stands to reason that the first should be "under-" or regular-sized. Surely there'll be a price difference, too -- I wonder if they'll be released on the same day or separate from one another.

It's interesting that DC chose to publish this in hardcover (72 pages plus a sketchbook isn't a lot) rather than as a perfect-bound comic (like some of the faux annual "reprints" a few years back). Say what you will about the ongoing monthly comics versus collections debate, but there seems to be a sense at least that collections equal permanence. For something as short as Superman vs. Muhammad Ali to end up in hardcover posits the collection as the ultimate destination -- the previous "floppy" (I use the term sparingly) version of Superman vs. Muhammad Ali didn't beget a floppy reprint, but rather a collection (and the paperback can't be far behind).

On the other hand, see DC "redefining" its co-feature program, moving away from the definite co-feature-to-collection pathway. Says Dan Didio to Comic Book Resources, "We were looking at something like Ravager when thinking about having enough material later on to stand alone as a collection, but ... it works much better for ... stronger stories if we don't concentrate on collecting the co-feature."

That is, many of the first wave of co-features were written to be twelve or so segments long to make up a collection, but now DC's finding that they're better off letting the co-feature determine its own length and how it interacts with the main series than "writing for the collection." I'm very OK with this; there's the danger, of course, that shorter co-features may never be collected, but I'd rather dig up a co-feature in single issues later on than sit through a poor story that's been unnecessarily drawn out. DC doesn't collect everything I want them to, but they collect enough of the highlights that I'm optimistic this will work out.

***

That's all. A new review coming tomorrow, and then our special review segment begins next week. Be safe and careful out there.

... oh yeah, and while you're sitting snug by the fire, don't forget to check out the new Collected Editions' mobile site on your cell phone! Take us everywhere!

Number 654



Dennis in Santa's Village


From Dennis the Menace Giant Christmas Issue #6, 1958, a Fred Toole/Al Wiseman Christmas story.

Dennis is in hyperactive mode for Christmas, and his parents have to appease him. Those of you with small children will appreciate this story. I read it when I was a kid, but didn't recognize myself until I had a kid of my own.

Wiseman's art is great, as always, and Fred Toole's story is full of gags. This 100-page Dennis, which I've hung onto since I bought it 51 years ago, is one of the best kids' comics I own. With their eyes for detail, Toole and Wiseman have captured the essence of being a kid at Christmas.





















In any number of close-up scenes of character interaction in Batman: Battle for the Cowl, Tony Daniel writes and draws an interesting Batman crossover, much in the spirit of Knightfall -- the Bat-family fights a crazed vigilante for control of the identity of Batman. But it's when the action zooms out that both plot and artwork get a little sketchy -- as well done as some parts of Battle for the Cowl are, other parts left me scratching my head.

[Contains spoilers for Batman: Battle for the Cowl]

I give Tony Daniel much credit for writing and drawing the three issues of this book, and if Batman RIP hadn't already done so, Battle for the Cowl would cement Daniel as one to watch. In a style just on the border between animated and realistic, Daniel draws a breathtaking wrap-around cover of the Bat-family, chilling fights between the story's villain and Nightwing and Robin respectively, and I love his mod Catwoman that never quite puts on her mask. His diminutive Damien, at least, likely defines that character for the stories to follow.

The best replacement for Batman, we already know, is a Boy Wonder, and Daniel's story sees first Tim Drake and Jason Todd, and then Todd and Nightwing Dick Grayson, duke it out to be Batman's successor. While Daniel's Jason remains just too crazy to be interesting as a villain (Jason still comes off as a "whiner"), I give Daniel points for daring to suggest there may have abuse in Jason's past -- perhaps the most cogent explanation for Todd's ever-present attitude so far.

Daniel gets in lots of little moments -- Tim in the yellow-circle Bat-costume that reflects his early days with Batman; Catwoman's classic, "I wondered whatever happened to the Caped Crusader"; and that Tim attacks Jason with, of all things, a Death in the Family-inspired crowbar. The story is a feast for Batman fans not unlike Legion of Three Worlds was for Legion fans, and Daniel pulls it off nicely.

But yet, even as I consider myself fairly up to date on the DC Universe, some parts of this didn't jibe for me. At the outset, Robin notes that Nightwing and Batgirl called in their allies -- but why Batgirl? Wasn't she until recently completely estranged from the Bat-family? Our first shot of Damien has him in the Batmobile with a girl he picked up -- but since when does Damien date, how did he get the Batmobile, and why isn't he with his mother Talia?

Nightwing has supposedly turned emotionless, when he was plenty emotion-full at the end of both the Nightwing and Robin series; apparently he doesn't want to take on the cowl initially because Batman told him not to in a video -- but the reader gets no hint of this until the end, and therefore Nightwing's actions seem largely incongruous most of the time.

I have a guess, actually, that much of the missing material here either resides in the Batman: Battle for the Cowl Companion, or otherwise in yet-uncollected transitionary comics between Batman RIP and this book (see "Last Days of Gotham"). Indeed the presence of certain Outsiders characters here suggests I've probably read certain books in the wrong order, since I don't know who they are or when they joined that team.

No crossover necessarily stops to fill in readers on every background detail, but Battle for the Cowl felt especially fuzzy -- this ought be the natural throughway from Batman RIP to the new Batman & Robin book. Daniel appears at times to lose focus, both in story and art; characters not in the foreground are often dark and indistinct, and similarly some events, like Gotham coming under martial law, are told through narration when they might have been stronger demonstrated firsthand.

Judd Winick is next up on Batman, but I'll be more curious for the issues when Tony Daniel comes back around. Battle for the Cowl isn't perfect, but I wonder if it'll hold up better under a more knowledgable second read, and I have an inkling there's great work from Tony Daniel to come.

[Contains full covers, sketchbook pages, Gotham Gazette issues]

Number 653


Eat Shit Or Die!


J. R. Williams explained his collaboration with Peter Bagge, "Eat Shit Or Die," as being a satire on Basil Wolverton's comic book horror stories. The main character starts getting it in the neck early on, it gets worse and worse until the end when he's stuck permanently in an incomprehensibly hellish situation.

The poor unnamed scientist has got that and more in this funny, sick little comedy, done as an 8-page issue of Zomoid, published by Mr. 3-D, Ray Zone. Zone reprinted some of the Zomoid small press comics in his Zomoid Illustories in 1989, which is where I got my scans.


After you've finished with the parody, go to one of the creepiest original Wolverton horror stories ever published. It's "The Brain-Bats of Venus," available from The Horrors Of It All, scanned and posted by host Karswell in 2007.


















Number 652



Clang!


Way back in October 2008 I showed you the lead story from Sparky Watts #6. I promised I'd show you the two back up stories "one of these days." Today is one of these days! I'm sometimes slow at getting back to my promises.

We have featured Boody Rogers in Pappy's 17 times, covering Sparky Watts, Babe and Dudley. Go to the search engine in the upper left corner, type in Boody Rogers, or just click on the name Boody Rogers in the link under this posting to see what else we've had.

From Sparky Watts #6, 1947:















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Check out this video from Tymime, an audio comic book based on the story "Santa Claus In Trouble" using the scans from Pappy's #426. Thanks, Tymime! I'd love to see any future productions.



Number 651


Krigstein at DC


I'm not sure how many stories Bernard Krigstein drew for DC Comics. During the late 1940s and early 1950s he freelanced quite a bit for a variety of publishers. These two stories from 1953, in Strange Adventures#32 and #33, show he adapted well to the DC house style. I'm not sure why he didn't do more for editor Julius Schwartz.

Both of the stories are written by Sid Gerson. As with a lot of the contents of Strange Adventures, they toss around major science fiction concepts like beanbags. In "The Atomic Invasion" a couple of scientists invent a process by which they can transmute themselves through matter, just in time to meet the threat of gas people from the star Zollic. "The Snows of Mars" has Martians sending us "magnetic snow," which is a curse, only to end the story with a blessing...from the snow comes the cure for all diseases known to mankind! Wow! All that in only six pages!

Neither of these stories show Krigstein at his artistic and creative pinnacle, but they are both good examples of artwork within the Schwartz system.