Hiển thị các bài đăng có nhãn George Marcoux. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn George Marcoux. Hiển thị tất cả bài đăng

On the heels of our Pappy's Crime Wave week, we have yet another theme week. This one I’ve dubbed “War is hell on the homefront” week, and will feature stories that are set in America during 1942, the first year of direct involvement in World War II by the U.S. Starting us off is the first Supersnipe story, written and drawn by George Marcoux. There’s more about Marcoux in his previous appearance in Pappy's #1208. (In the backward way I do things that earlier posting is the second story of the series, so read this one first, then go to that one.)

As part of our war theme the story has young Koppy McFad, who adopts the secret identity of the costumed hero, Supersnipe, trying to catch black marketeers. The sitcom aspect of the strip makes more sense if you know that sugar, as well as other staples of everyday life in America (meat, gasoline, tires, among others) were rationed, and a buyer needed ration stamps to purchase. This created a booming criminal enterprise, selling stuff without stamps for high prices.

In those war years, also, scrap paper was needed, and kids were encouraged to collect it and turn it in. That meant millions of comic books were sacrificed to wartime paper drives, and the fact that as many survived as did is a wonder in itself. Or it could just be that collecting Dad's newspaper or his shirt cardboard was one thing, but throwing in comic books? Uh-uh. Had I been there I don’t think I could have parted with my comics, and apparently a lot of others felt the same.


























George Marcoux, who created, wrote and drew the title character for this issue of Supersnipe Comics, is something of a mystery. Not much information is available on him. He drew a short-lived comic strip in the 1930s called “Toddy” which, according to Ger Apeldoorn was said to have been canceled due to the artist's illness. Marcoux reappeared in 1942 with Supersnipe, who remained a popular character throughout the 1940s.

One Internet source which I googled ("Google," also known as the digital Junior Woodchuck's Guidebook) gave dates for Marcoux as born 1896 and died 1946, which means he was supposedly drawing Supersnipe Comics three years after his death. Eh? If anyone has any concrete information on Marcoux please let me know.

Koppy McFad had fantasies about comic books, which he collected in great numbers. Boy oh boy, does that bring it all back. I remember my Batman fantasies of the fifties — **cough** cough** — errrr, I mean I'm sure many people who read comic books as youngsters dreamed of themselves as superheroes, and Marcoux tapped into that with Supersnipe. Marcoux's artwork wasn't much like a comic book style, even in the forties, and in this story he filled his busy panels with speedlines and whirligig action, but I like his style anyway, Marcoux appears to be one of the members of the Old Cartoonists Club, which would include Henry C. Kiefer, H. G. Peter, Alex Blum, George Carlson, E. C. Stoner, Harold Delay, among others whose names I don't remember, but who were established professionals years, even decades, before there was such an animal as a comic book.

Editor William De Grouchy (a great name,and I am considering changing my name to Pappy De Grouchy to match my personality) included a page on the inside front cover of this issue to tell of Supersnipe's popularity:


From Supersnipe Comics #7 (actually #2), 1943: