More from our Heroes of the DC Universe puzzle ...



Observations from the Heroes of the DC Universe puzzle:
1) Batman remains a mystery, often rumored but never seen.
2) Why so glum, Tempest? Is it Aquaman's hair always waving in your face?
3) Plastic Man, despite our prodding, takes the high road and refuses to give us the finger.

Updates to come ...

Number 441


The Christmasochist Tree


MERRY CHRISTMAS, EVERYBODY! I hope you're having a great day with family and friends.

To animation and comic book fans anthropomorphism is a given; we expect to see animals and objects made human. What we don't expect is when the anthropomorphism goes against human nature. For instance, in this story from Santa Claus Funnies #1 from 1942, drawn by Walt Kelly and adapted from Hans Christian Andersen, the tree doesn't mind being chopped down in its prime; doesn't mind being turned into firewood after being used as a decoration. That's sick, people.

Maybe it's just me. I'm presuming how I'd feel under the circumstances. Who am I to tell Hans Christian Andersen how to tell a story?

For another Christmas story by Kelly, including anthropomorphic critters, go to Pappy's #72.









Number 440


This is your wife


Last week I showed you some teenage comics with cute chicks...this week a comic with grownup cute chicks. Crazy #2 from 1954 is one of the better Mad imitators of the era.

I love the Al Hartley artwork on the first story, a take-off on the old This Is Your Life TV program, a mainstay of '50s television. Ed Winiarsky does a credible job on "High Moon," although anyone who remembers the Harvey Kurtzman/Jack Davis "Hah! Noon!" from Mad will find it lacking. Still, it has some pulchritude, and that's what we're looking at today.










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So, yeah...tomorrow is Christmas. Keeping up with the satirical vein of today's post, talk about your ghost of Christmas past! Here's "A Christmas Carol," done by Arnold Roth for Humbug #6, posted in Pappy's #59, 2006. I understand the two volume set of Humbug reprints won't be available for at least a couple more months, so this will give you a preview. I recently re-did the scans. Enjoy, and have a great Christmas Eve.

Quite a while ago I reviewed the Superman crossover Majestic: Strange New Visitor, and ever since that time I've had the subsequent Majestic trade, While You Were Out, sitting on my shelf. Spring cleaning -- or in this case winter -- offered a chance to check it out.

Writers Dan Abnett and Andy Lanning offer an imaginative science-fiction tale along the lines that made their Legion run so appealing. Here, the writers' imaginations seem to know no bounds, and in swift procession they offer a deserted planet, an ancient space ark, a bevy of alien species, even an entire civilization created within a space ship -- and that's just the first storyline. I was not entirely taken with the story of While You Were Out itself, but I thrilled to the concepts the writers unfolded.

For me, Majestic: While You Were Out didn't hold up to Strange New Visitor. Whereas the earlier trade, amidst a bit of action, also featured Majestic and Superman chatting in a diner for a couple pages, the latter dedicates five full pages of the first issue to wordless fighting, and later chapters offer even more. This is a visually appealing and creatively sci-fi collection, but I didn't always feel I got enough bang for my buck.

It's possible that I'm projecting too much of what I'd like Majestic to be on the series, instead of taking it for what it is. Strange New Visitor was a largely earthbound story, literally and figuratively, putting Majestic in a Superman-esque superhero role; While You Were Out, I think, puts Majestic in more cosmic settings, and this didn't hold as much interest for me. Abnett and Lanning do well to isolate Majestic in the beginning, letting the reader continue to get to know their hero; by the end, however, Majestic faces off against a bunch of WildStorm heroes, none of them fully introduced, and I found myself simply lost and ready for the story to be over.

(An interesting side note: page six of the first chapter of this book essentially spells out the basis of DC Comics's new Multiverse, a good three years before 52 or Final Crisis. That's right. The Bleed is the membrane between numerous multiple universes? Uh-huh, page six. You'd think someone planned it that way.)

The WildStorm books have an audience out there somewhere, and while I've tried sometimes to make it me, usually I just can't get into them. I'm glad, ultimately, that WildStorm has become another of the DC Comics New Earth counterparts; I find I much prefer visiting the WildStorm Universe with the DC heroes than living there. But that's just me.

[Contains full covers]

A review of Green Arrow: Year One coming soon. Don't miss it!


Number 439


Spaced critters


Dave Miller, of Albany, California, recently found a copy of Fox's Cosmo Cat #8 and graciously scanned a story for me.

I find it interesting in a couple of ways. First, it's a slam at the perennial whipping boys, used car salesmen (in this case a used rocket salesman, the Smiling Martian, who traded Cosmo for a 1947 rocket!) Second, it has a reference to oil companies, Sub-Standard Oil, using cartoon versions of the Mobil Oil flying horse logo. You've gotta also love the last panel, "Drop me a letter if you get time, kids." Say, what? If you get time? I'd think anyone reading this wouldn't be able to write a letter, but that's just an opinion. Artwork is by Pat Adams, an artist not known to me. Is anyone else reminded of the modern work of cartoonist Milton Knight?

Tuesday, December 23: In response to the posting I got this e-mail from longtime comics fan and publisher, Marty Greim:

Hi there Pappy.
I thought you might like some info on Cosmo Cat, since you just printed a story of his. Cosmo Cat was created by L.B. Cole who was an editor at Fox Comics at the time. L.B. gave me info on Cosmo Cat, because that character was a favorite of mine when I was a kid. The artist was not Pat Adams. That was just a pen name. In many of the stories you'd see an E.C. on the splash page. That stood for Ellis Holly Chambers who was the artist on most of Cosmo Cat's adventures. L.B. could copy Chambers style fairly close and did so when a few of the Cosmo Cat stories were reprinted under the Super Cat title years after Cosmo had bit the dust at Fox. L.B. did one or two new stories, but the title was short lived. Because of my love for Cosmo Cat, L.B. found a proposed cover rough by Chambers, inked it and colored it for me. As far as I know, it's the only Cosmo Cat original that exists. I've attached it to this e-mail for your enjoyment. Love your site. Many of the stories bring back fond memories of my mis-spent youth. Regards, Martin L. Greim

Thanks, Marty!

Receiving the Cosmo Cat story put me in mind of a comic I've been thinking about showing for a while, Super Pup #4 (actually #1) from 1954. Avon's Super Pup only went two issues, and you'll see why when you read it. The artwork, by Frank Carin, is crude. The stories are standard funny animal stuff, but the artwork doesn't create much of a desire to read it. However, I find the first page interesting, where the Commissioner (sic) of the Treasury Department explains about "illegal uranium" getting into the country. "Every cargo ship arriving in this country is carefully screened--our borders are constantly patrolled--" Wow. Someone tell Homeland Security. The last I heard, very little cargo coming into this country is searched or inspected, and the border is nearly impossible to patrol. Luckily Super Pup is smarter than anyone in government (not that much of a stretch) and figures the illegal uranium has something to do with the base on the moon.

Finally, and despite those criticisms, I'm drawn to these stories by a nostalgia for this sort of comic. As a kid in the age group these comics were aimed for, I found stories about rocket ships really neat-o keen-o. Looking at both of these stories I can analyze them from an adult point of view while still remembering how I would have felt reading them at age 5 or 6. I was undiscriminating in those days. Hell, I get notes now and then telling me I still am.














Number 438


Captain Marvel and the weird water man


There was a shock of recognition when I saw that Hairy Green Eyeball presented the John Kendrick Bangs story, The Water Ghost of Harrowby Hall. It jogged my memory of a Captain Marvel story, which I found and scanned.

I wonder if Captain Marvel writer Otto Binder had read the 1894 Bangs story at some point, because the resolution of both stories is the same. It seems that would be the best way to get rid of a creature made of water, so maybe it was a natural, but at least I found the coincidence interesting.

Artwork on this story, scanned from Captain Marvel Adventures #118 from 1951, is by Pete Costanza, who 15 years later drew the Jimmy Olsen "Bride of Jungle Jimmy" story I showed you on Thanksgiving Day.








Number 437


Straight Arrow and the bloody bridge



Straight Arrow started in 1949 as a radio show sponsored by Nabisco. As the 1996 article I linked to explains, the comic book version, written by Gardner Fox and drawn by Fred Meagher for ME Comics, lasted five years longer than the show.

Like most people with only a rudimentary knowledge of the character I thought Straight Arrow was a white man disguised as an Indian until I read the article, which explains it was the other way around.

Fred Meagher had drawn Tom Mix in a series of comic book premiums for Ralston. He was a fine cartoonist, with a solid drawing style and a talent for Westerns. This story is from Straight Arrow #21, January 1953. Meagher, who was born in 1912, died in 1976.