Thứ Tư, 20 tháng 6, 2012

Number 1178: A roscoe sneezed


Adolphe Barreaux is a pioneer in the history of comic books. He started out drawing comic book-like stories for Harry Donenfield (who later went on to take over DC Comics from its founder, Major Malcolm Wheeler-Nicholson). Barreaux drew the sexy Sally the Sleuth stories for Spicy Mystery Stories, an under-the-counter pulp Donenfield published before he took over DC Comics. Donenfield set Barreaux up with an art shop, with himself as co-owner, to provide artwork for his line of pulps. Here's an example of Sally the Sleuth, from its days as a two-page strip (and I mean that literally...Sally could not keep her clothes on), from Spicy Detective (March, 1935). The scans are from the 1988 Malibu Comics reprint.



Later Barreaux became editor of Trojan Magazines, Crime Smashers, and other titles, a small publisher also bankrolled from the DC empire. The story of DC's secondary business interests is a complicated one of silent partners, publishing names and different addresses, but it all goes back to Harry Donenfield. He was a sharp businessman who had his hand in the comics business, publishing and distributing, in a big way.

Barreaux is credited with drawing these Dan Turner, Hollywood Detective stories. The color story is from Crime Smashers #7 (1951), and the second is originally from the pulp Spicy Detective (January, 1943), by way of the Malibu Comics reprint, Spicy Tales #1 (1988). Robert Leslie Bellem is credited as the writer. He created Dan Turner for the pulps, and was known for his overcooked dialogue like "a roscoe sneezed," and "Jeepers! Baldy's been skewered through the ticker! He's defunct!" Bellem went into writing for television after the pulps were skewered through the ticker. He did scripts for The Lone Ranger, Adventures of Superman, 77 Sunset Strip, and many more. He died in 1968.

In looking at the artwork for these Dan Turner stories I'm venturing the opinion that despite Barreaux's credit they are shop jobs. Maybe he had something to do with them, and maybe not. In "Off-stage Kill" Dan Turner is shown mostly from the back in a very static layout. The only time the story comes alive is when the girls are fighting. "The Murdered Mummy" has some of the same faults, but is much livelier in its layouts.

















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