[Review contains spoilers]
Diggle makes the wise choice of setting the titular three-part story, "Hybrid," one year in the past, such to neither impinge on or be hampered by Morrison's "early days" Superman stories nor the "Clark Kent, blogger/dating Wonder Woman" stories of Scott Lobdell's present. The result is a "back to basics" Superman story that would appeal to the most casual of fans -- one that involves Clark Kent, Lois Lane, and Jimmy Olsen, reporters for the Daily Planet, and with Lex Luthor as the main antagonist. Diggle is even able, without stepping too much on modern-day toes, to make this a "missed connections" story about Clark and Lois's romance, and it dovetails nicely, ultimately, with the opening pages of George Perez's Superman Vol. 1: What Price Tomorrow?
Lex Luthor has been a bit of a sticky widget now three years into the New 52. We've seen Lex Luthor, businessman, in the pages of Morrison's Action and Lex Luthor, imprisoned criminal, in the pages of Lobdell's Superman, but how Lex got there and what the general relationship is between Superman and Lex has been conspicuously absent in the modern-day Superman stories. Diggle's story, at least until someone else contradicts it, would seem to fill in that gap, enjoyably as a story but maybe a little too neatly -- Lex, having harbored a grudge against Superman for the past five years (since the "Morrison days") finally attacks Superman one year ago, Superman defeats him, and Lex goes to jail and remains there until we see him in Lobdell's Superman Vol. 3. That answers all the questions, though one battle seems not a lot for the amount of security Lex has in Superman Vol. 3, and for the enmity between Superman and Lex.
But again, Diggle's story is enjoyable, and the Lex plot within favorably reminds of the same in John Byrne's Superman work. Diggle's role as writer lessens and artist Tony Daniel's grows as the story continues; arguably one could note there's more large panels toward the end of the story where the art is filling in for lack of story, but also again, Daniel's Superman work here is so dynamic -- and demonstrably different, I think, from his Batman work -- to make even this excess palatable.
Scott Lobdell pens a two-issue "modern day" story, filling in presumably for the sudden departure of Diggle from the title. "Fill in" is a good word for the story, which sees Superman called off-planet to join alien freedom fighters against a cosmic menace -- what seems, at least as far as this volume, "just" a Superman story and not anything with imperative connection to Superman's ongoing adventures. But, Lobdell seems far more comfortable here than in his first outing in Superman Vol. 3, which was at times over-narrated and over-dialogued, and his Superman is funny, sarcastic, irreverent, and still devoutly, devoutly heroic. If the pre-Flashpoint Superman was one you'd want to have a glass of milk with, Lobdell's Superman is one you'd want to have a beer with (or at least a Soder Cola), and from whom you'd walk away thinking he was no less Superman.
What "relevance" the story lacks is also helped again by the artist, this time Tyler Kirkham. Kirkham delivers some impressively detailed aliens, and especially the hulking space monster (if unfortunately named) Lexus, all given greater dynamism by the inkers and colorists. Kirkham offers here a more angular, less animated style than his Green Lantern: New Guardians work, again giving the sense that everyone involved with this volume is working at a higher level.
The book finishes with the five-part "World of Krypton" backups from Action and other Super-titles, mainly written by Frank Hannah, who also recently wrote a good issue of Supergirl. It's the story of Jor-El and Lara foiling a military coup, set when the two have just met and don't like each other, and that dynamic is delightful (begging for a sequel). Hannah is aware of his story and knows who the audience expects the Kryptonian "Colonel" to turn out to be, and I was pleased that his ending twists this slightly such to meet reader expectations, and also not to erode some good character work that Geoff Johns and others did as regards these Kryptonians in the pre-Flashpoint "New Krypton" books.
Diggle's Superman/Wonder Woman Young Romance story, also collected here, squirms in the general ill-definition of the extent and seriousness of this relationship (no fault of Diggle's, but rather that the relationship emerged in-organically from Justice League), though I appreciate the string of continuity notes that ties the story to both characters' titles. It's fine enough for a "young romance" story. Also included here is Action Comics #24, part of the "Psi-War" story going on in Superman, which I skipped in order to read later in conjunction with Superman Vol. 4: Psi-War (the final page, I noticed, directs the reader from this trade to that, though in reading it seems some of Superman Vol. 4 takes place before Action Comics Vol. 4, and then some after).
There's no basis here to really be optimistic about Superman's future, since none of the creators in Action Comics Vol. 4: Hybrid continue to the next volume. At the same time, the book's new writer is Greg Pak, who did well enough on the first volume of Batman/Superman, so maybe Action Vol. 4 will be the start of something after all. Irrespective, if the New 52 Superman hasn't appealed to you so far, this is the book I'd suggest picking up, one that I think will please new and old Superman fans alike.
[Includes original and promotional covers, "WTF" gatefold cover image]
Next up indeed is Superman Vol. 4: Psi-War. Don't miss it!
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