Reese had worked with Wally Wood, and had picked up on the use of toning sheets including Grafix (formerly Craftint), a chemically treated drawing paper. The artist applied a chemical with a brush and the tones appeared. It was widely used for black line reproduction, and even some four-color work at times, but is no longer being manufactured. In the Yeti story Reese used an ink wash. Reese's use of such techniques complements his dramatic illustrations. Web of Horror featured some seasoned pros like Syd Shores and Norman Nodel, as well as a new breed of dynamic younger artists like Bernie Wrightson, Mike Kaluta and Ralph Reese. I wish it would have continued past three issues.
A few years later these stories, among others by Reese, were colored and published in a two-issue mini-series, Reese's Pieces, by Eclipse Comics.
These stories were written by longtime author and comic book scripter Otto Binder. They're from issues #2 and #3:
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