We have a theme week to end March and begin April: Jungle Jive week. We'll feature four tales this week from the comic book Africa.

First up is the second and final story from Harvey Comic Hits #56 (1952) by Lee Falk and Ray Moore. The Phantom faces a dragon god, in an edited version of the Phantom’s Sunday newspaper continuity from July 6, 1947 to November 16, 1947. Thanks to reader Darci for pointing out where to find that information, and if you’re interested in the Phantom, you can find the website here. The site has not been updated since 2007, but for our purposes it is still a valuable resource.

In “The Dragon-god of Death!” the Phantom rides off alone to fight the dragon menace, telling his girlfriend, Diana, to stay home with the Bandar tribe. He gets himself in a mess so the pygmies and Diana have to ride to his rescue. But it takes the Phantom’s dog, Devil, to save the day. See? It pays to be prepared with back-up. I hope the Phantom learned a lesson.

There’s an ad in the back of the issue promoting one of the most iconic of the “drug menace” comics, Teen-Age Dope Slaves. It’s a very salacious title for a reprint of a sequence from the Rex Morgan, M.D. newspaper comic strip.

The other story from this issue; click on the picture:

Here at Pappy's Golden Age we are usually stuck in the 1940s and '50s, and so I’m going to the Pappy closet. I'm putting on a polyester shirt, some bell bottom jeans, my platform shoes and I’m dusting off the disco ball for a journey to the future...to 1975, and the short-lived Atlas Comics line. You may remember when Marvel Comics founder Martin Goodman created a rival comic book company, threw a bunch of comics onto the stands and was out of business in a very short time.

Among his publications was Weird Tales of the Macabre, which was part of the big black and white explosion of the era. I’m showing two stories from this issue by two cartoonists who had different approaches, but whose work in black line looked great: Pat Boyette, whose work appeared mainly in Charlton comics, and John Severin, who worked a lot for Marvel and was a regular at Cracked. I thought it appropriate that the issue the Severin story appeared in also had an ad for monster model kits.

From Weird Tales of the Macabre #2 (final issue), 1975:

A year and half ago, just after DC Comics announced their New 52 initiative, I wrote a two-part column called "52 Words on 52 Titles," offering 52-word impressions on each series. This past Tuesday, to celebrate Collected Editions' completion of all the New 52 Vol. 1 collections, I'm offering 52 more words on the initial New 52 series, reconsidering my earlier remarks or examining how each series turned out.

The original 52 words come first, followed by my new remarks in bold. You can read part 1, or here's part two. I welcome your general thoughts on how the first year of the New 52 shaped up, too.

27) Swamp Thing by Scott Snyder, Yanick Paquette & Francesco Francavilla
I’m not very familiar with Swamp Thing, but file him under “characters I’ve always wanted to learn more about.” I’m pretty excited about the entire new “Dark” area of the DC Universe; Scott Snyder’s Detective is getting good reviews, so I’m optimistic for this.

Turns out I wasn't so enthused about Snyder's Alec-Holland-as-Swamp-Thing take on this title, but with "Rotworld," this and Animal Man sure took the DC New 52 by gangbusters. Curious to see how the title survives and stays integrated in the DCU without Snyder.

28) Animal Man by Jeff Lemire, Travel Foreman & Dan Green
This one also seems like a “can’t miss.” Though I’m not sure Travel Foreman’s solicitation cover was the right choice by DC to attract new readers, Jeff Lemire’s also getting rave reviews on Superboy, and in interviews he’s talking up the “family” aspects of Animal Man. High hopes here, too.

Definitely the best debut collection of the New 52 (it's battling a bit with Wonder Woman: Guts for best second collection). Travel Foreman won me over for the first volume, and I'd be happy to see Jeff Lemire and Steve Pugh stay with this title for the long haul.

29) Justice League Dark by Peter Milligan & Mikel Janin
Peter Milligan wrote the well-regarded Shade, the Changing Man for Vertigo and currently writes Hellblazer; there’s no more authentic “horror” voice you could get to write the same characters in the DC Universe. List this among the DC relaunch books I’m most looking forward to.

I did not like the first Justice League Dark collection, finding the plot both too chaotic and ultimately too simplistic. Didn't care for Peter Milligan's Red Lanterns either; wonder what this says about me. High hopes for Justice League Dark when Jeff Lemire takes over. I want like this title.

30) Demon Knights by Paul Cornell, Diogenes Neves & Oclair Albert
A book set in the past and not affecting the DC Universe isn’t to my particular tastes, but writer Paul Cornell has hinted there’s a twist or two that might rectify that. Add to it the overall coolness of a new series for the Demon, and I’ll be giving this a look.

Quality stuff here from Cornell (this one is up there with my favorite New 52 debut collections). Sorry he's left the title but I'm glad they made a clean break when he did. That this book was set in the past and not in the DC Universe proper mattered not a bit.

31) Frankenstein, Agent of SHADE by Jeff Lemire & Alberto Ponticelli
By far Frankenstein was my favorite of the Seven Soldiers, and I’m thrilled he’s getting a series of his own. I’m not familiar with Alberto Ponticelli’s work; my first choice would have been to see Doug Mahnke as the artist, but I’m happy to give Ponticelli a shot.

Another good one -- maybe not ground-breaking ultimately, but a bunch of fun (I think I liked Frankenstein like some people liked OMAC). The title didn't last, but if Lemire is taking Frankenstein with him to Justice League Dark, that's all the same to me.

32) Resurrection Man by Dan Abnett, Andy Lanning & Fernando Dagnino
I loved Dan Abnett and Andy Lanning’s Legion, but their previous Resurrection Man series never grabbed my attention. I’ll check this out partially because I think it’s funny DC is trying the series again; maybe with better integration into the “Dark” corner, this will hold my interest more.

Enter your resurrection pun here; this one is gone already, just like its previous incarnation. I give Abnett and Lanning credit for going more supernatural this time than sci-fi, which is interesting if you're a fan of the original. Not sure where Mitch Shelley will appear in the DCU without DnA.

33) I, Vampire by Josh Fialkov & Andrea Sorrentino
I’m less interested in this; in contrast to Justice League Dark, this looks too far out on its own. About the only thing that would bring me in would be vampires actually attacking DCU heroes (or, Josh Fialkov cameoing DC’s vampire-based Scarlett character).

Another pleasant surprise, and what became a fan favorite, though that didn't save it unfortunately. I, Vampire only make me more excited to see Fialkov on Green Lantern Corps; DC losing him, seemingly for good, is a big disappointment. We're left to wonder what could have been.

34) Voodoo by Ron Marz & Sami Basri
I’m glad DC’s taking on a supernatural comic with a kind of CrossGen ethos (judging by first glance) and by Ron Marz, to boot. That said, like I, Vampire this just seems too “off on its own” for me, and I might skip it unless I hear really good things.

Voodoo wasn't "off on its own," but rather perhaps tied too tightly to the initially-interesting Daemonite plotline that DC seems to have abandoned. For those of us who dug the early apparent ties between Voodoo, Grifter, Stormwatch, and Superman, it's a shame that seems all to have come to nothing.

35) Legion Lost by Fabian Nicieza & Pete Woods
I have found Fabian Nicieza’s writing a tad light, but his work on young Red Robin should lend itself to Legion. Pete Woods is a great choice here though, reminiscent of Legionnaires’s Jeff Moy; overall I’m excited for this (especially the inclusion of Gates!).

Neither Legion title has lit up the New 52, and Legion Lost, while a satisfactory read, especially failed to justify its own existence. I'll read the final volume, but mainly what I'm interested to see is these characters integrated back into the main Legion title.

36) Legion of Superheroes by Paul Levitz & Francis Portela
One of my greatest concerns for the DC Relaunch was whether Paul Levitz would keep writing Legion or if we’d have yet another Legion reboot. Levitz’s continuation did a lot to make me feel better about the DC Relaunch; I’ll pick this up most certainly.

I remain glad DC didn't restart Legion for the New 52 so soon after the last reboot, but the first volume wasn't up to the title's pre-Flashpoint standards, and then Giffen was supposed to join and immediately left. I wonder how much future this title has, no pun intended.

37) Teen Titans by Scott Lobdell, Brett Booth, & Norm Rapmund
Everything’s controversial about this one, from characters to costumes to writer. To be sure, however, Teen Titans hasn’t had the luster of the original Geoff Johns launch in a good long time, and I’ll be giving this book a chance with high hopes for a return to greatness.

I'm in the minority finding the New 52 not really so different than the "old 52." Teen Titans is a prime example -- it's teen heroes, it's readable, I like it. The story so far has the team "on the run"; I'm curious to find what this title's "about" when it settles down.

38) Static Shock by John Rozum, Scott McDaniel & Jonathan Glapion
It’s a great relief to find one of the original Milestone writers, John Rozum, writing this new iteration of Static -- just a shame they’re still calling it Static Shock! Scott McDaniel’s art has been hit-or-miss for me lately as well, but I’m excited for what looks like Static done right.

No secret this was among my biggest disappointments of the New 52. I've never seen a comic so clearly crumbling page by page, and the worst part is how it may negatively affect the Static character himself. I'd hesitate before I read more from the members of this creative team.

39) Hawk & Dove by Sterling Gates & Rob Liefeld
Yes, Rob Liefeld’s role gives some people pause, but the fact that he helped create the characters makes this feel rather right to me. Not to mention, like Gail Simone on Batgirl, if anyone can make this work, it’s Sterling Gates. I’ll give this a chance.

Another disappointment, though here I have more faith the creative team tried and the book just got away from them. Like Hawk and Dove, Vibe is a perfect fit for former Supergirl writer Sterling Gates, and I'll be picking up that book with no hesitation.

40) Stormwatch by Paul Cornell & Miguel Sepulveda
This is one of the books that brought me around to the DC Relaunch. Stormwatch (read: the Authority), Martian Manhunter, and Paul Cornell. After Superman: The Black Ring, I have no question Cornell can pull off a thought-provoking series, and Martian Manhunter in a superhero intrigue title? I’m sold.

It's equally a bad sign that Stormwatch, flagship of the DC/Wildstorm merger, should be going through so many creative teams. I wish Jim Starlin luck, but I also read a bunch of the Rann/Thanagar spin-off books, and I have to say I'm not optimistic.

41) Blackhawks by Mike Costa & Ken Lashley
As strong as DC’s Stormwatch solicitation is, the Blackhawk solicitation is too vague to move me. What I’m hoping for here of course is something in line with Greg Rucka and Eric Trautmann’s Checkmate, but so far I’m on the fence about this one.

I really liked Mike Costa's Blackhawks, more than I thought that I would, not that it matters with this title's cancellation. In reality what this turned into was an advertisement for seeking out Costa's work elsewhere. Hope some other writer can use the Blackhawks somewhere in the New 52.

42) Sgt. Rock and the Men of War by Ivan Brandon & Tom Derenick
Again, as excited as I am for Stormwatch, I’m uncertain about Men of War. I didn’t like Tom Derenick’s art on Shadowpact, and Ivan Brandon’s Final Crisis Aftermath: Escape was brilliant or absurd depending on your perspective. I’ll wait for the reviews here.

What became simply Men of War. Brandon's initial story was a good read, but the backup stories were hit-and-very-miss. I'm not sorry to see this title's spot filled by some other deserving book, and it's probably good DC is off their "war titles" kick for now.

43) All-Star Western by Jimmy Palmiotti, Justin Gray & Moritat
I’ve heard good things about Jimmy Palmiotti and Justin Gray’s Jonah Hex, and I’m glad it’s continuing into All-Star Western. There’s enough else out there that I probably won’t pick this up, but I’m glad DC is giving it a second launch.

The one New 52 title I haven't read; I hear good things, but there hasn't been a story yet that sounds "can't miss" (what's coming up may yet be that story). Based solely on hearsay, all of the faint Bat-references in the book also seem too cutesy to me.

44) Deathstroke by Kyle Higgins, Joe Bennett, & Art Thibert
If this Deathstroke series follows in the footsteps of Marv Wolfman’s early Deathstroke series, I’ll be along for the ride, though I think that’s a big “if.” I’m glad to see Joe Bennett on a new series, however; I loved his art on Checkmate and elsewhere.

Can we sing artist Joe Bennett's praises one more time? Higgins wrote a great first trade of this; I'm excited to read Liefeld's Deathstroke vs. Lobo (Liefeld! Deathstroke! Lobo!) and Justin Jordan's issues, and then it seems about right to me that this series meets retirement.

45) Grifter by Nathan Edmundson, Cafu, & Bit
I don’t have a real attachment to the Grifter character nor to this creative team. I’m curious about how the Wildstorm Universe will be folded into the DC Universe, however, and I’ll probably pick this up to see how the combination works.

A great first couple of issues, and then all downhill from there. Unfortunately with Team 7 cancelled, I can't imagine where we'll see Cole Cash again in the New 52. Seems a rather sad end for one of the stalwarts of the Wildstorm Universe (unless WildCATS is around the corner!).

46) Omac by Dan DiDio, Keith Giffen, & Scott Koblish
Dan DiDio’s Outsiders has been at times interesting and at times downright unreadable. What sells me here is the sense that this is not just an OMAC title, but a title encompassing all the DC Universe’s Jack Kirby concepts. With Keith Giffen assisting, I’d like to see this work.

Can't miss with a Jack Kirby tribute title, but I think DiDio and company overestimated their audience's appetite for "wacky." Various titles have suggested a bigger role for Brother Eye coming up (shades of Infinite Crisis); I support more OMAC appearances but I wasn't sorry to see this one end.

47) Blue Beetle by Tony Bedard, Ig Guara & Ruy Jose
I’m glad to see Blue Beetle Jaime Reyes getting his own title again, though admittedly I’d have liked to see John Rogers as writer. I’m skeptical Tony Bedard can bring something new to the title -- I predict cancellation, actually -- but I’d be more than pleased to see this book succeed.

Tony Bedard surprised me with a new and workable take on a not-so-old character. It's astounding just how ubiquitous Jaime Reyes is given the newness of the character -- Brave and the Bold and now Young Justice. Despite that this title is cancelled, I'm confident we'll keep seeing Jaime around.

48) Suicide Squad by Adam Glass & Marco Rudy
Solicitation-wise, this is my biggest disappointment. I’m a fan of John Ostrander’s espionage team, and this funny-looking Harley Quinn team seems a far cry from that. In deference to this title’s legacy, I hope for good things, but I’m on the fence about picking this one up.

When I finally picked this up, I liked it more than I expected. Glass had a good handle on this team and its characters; I look forward to the rest of his run and whatever the new writer might bring after him.

49) Action Comics by Grant Morrison, Rags Morales
I’m unsure about Superman’s new costume, but Grant Morrison proved with All Star Superman that he can do great things with the Man of Steel (not to mention Morrison’s astronomical success of late with Batman). The Superman titles have flagged of late; things can only get better, right?

I've only read the first volume but nothing to complain about, and no real question this was going to be good. The real issue, with the departure of Andy Diggle, is who'll take Action Comics next and whether they can help save, frankly, DC's flagging Superman franchise.

50) Superman by George Perez, Jesus Merino
Further, I’m not sure if I really dislike Superman’s new costume, or if it’s just that George Perez’s new Superman resembles Superboy Prime here; granted Perez is drawing the covers only. I’m also worried whether Perez can bring a modern voice to Superman; I have more concerns about this than Action Comics.

I do ultimately like Superman's new costume, but the first Perez book obviously suffered from some difficulties, and those are compounded with Jurgens and Giffen's quick run and now Lobdell's controversial start. I'm sorry to ask, can anyone out there save Superman?

51) Superboy by Scott Lobdell, RB Silva, Rob Lean
That Scott Lobdell is writing Superboy and Teen Titans should at least bring some continuity between the titles. Superboy’s new origin seems an unnecessary revision, but I’m willing to give this a shot and see how it goes.

Young Justice went a long way toward convincing me Kon-El could get a revised origin and still be the same old "Kid"; Lobdell's first book equally caught the spirit of the character. I'm looking forward to the next book, and I'm a little bummed the creative team has moved on.

52) Supergirl by Michael Green, Mike Johnson, Mahmud Asrar
I absolutely loved Michael Green and Mike Johnson’s Superman/Batman: Search for Kryptonite, but an “angsty” Supergirl seems an unnecessary regression for the character. I’ll give this a chance, but this could be the title I have the most concerns about.

A fine first volume; the biggest surprise was it wasn't all that different than before. With "H'el on Earth" I hear it's hit a rough patch; I suspect this title can't be cancelled, but I wonder if DC knows what they want from this title yet other than just to have it.

[Review by Doug Glassman, who Tumblrs at Hell Yeah '80s Marvel!]

When I used comiXology to catch up on the two Transformers ongoing series, I already owned the second volume of More Than Meets The Eye. I wasn’t sure what to expect when I purchased the “digital” version of Transformers: Robots In Disguise Volume 2. How different would it be from getting the individual issues? Well, apart from a slight savings in price, the digital trade also includes all of the extras from the regular trade. In this case, these include the trade’s credit page and numerous alternate covers. Compared to MTMTE, there aren’t a lot of fun extras, but this matches with RID’s more serious tone.

One advantage of having a trade made out of single issues is that each part has its own introduction and recap, which is helpful for the first story. Much like More Than Meets the Eye, writer John Barber is using his book to tell more than one main story, and in this case, issue #6 tells the first part of “Syndromica.” Published every fourth issue, “Syndromica” follows the former Optimus Prime -- now Orion Pax -- as he, Hardhead, Wheelie, and Wheelie’s alien friend deal with the mad scientist Jhiaxus. IDW’s official marketing strategy is to include as many stories in the ongoings as possible versus putting them in Spotlights or mini-series (which is why All Hail Megatron ends with half a dozen issues of prequel material). I really wish “Syndromica” was its own series so that more could be done with it.

This is when RID starts synching up heavily with MTMTE; events in that title reveal intriguing information about Jhiaxus and his student, the cold and calculating Shockwave. While you don’t need to read both, the experience is only complete when the two are read together. In a neat moment, the perpetually-rhyming Wheelie gets so terrified that he forgets to rhyme, which I didn’t even think was possible. Orion Pax also doesn’t believe that Rodimus and his crew are dead, proving him to be as wise as always. Livio Ramondelli (a fellow Penn State graduate, I might add) provides semi-painted artwork for “Syndromica,” contrasting nicely with Andrew Griffith’s artwork for the rest of the issues.

As in the previous volume, the main story centers around the three-way political drama between Bumblebee’s Autobots, Starscream’s Decepticons, and Metalhawk’s Neutrals. Issue #7 concerns the return of the Decepticon war criminal Turmoil to Cybertron. Turmoil was a central character in the Drift mini-series, which I didn’t read, but RID sums up what happens well enough. The struggle over what to do with Turmoil and the secret behind his alleged crimes help flesh out Metalhawk’s backstory. At the same time, Wheeljack finds unusual technology aboard Turmoil’s ship that once again ties in to MTMTE.

Issues #8 and 9 follow Ironhide and the Dinobots as part of IDW’s “Dinobot Month” promotion. Only four of the Dinobots appear hear; Grimlock was in MTMTE’s Scavengers arc, and his absence weighs on the rest of his team. We do, however, get to see them teamed up once more with Commander Modesty himself, Sky Lynx. If you’re not familiar with the connection, one of the best episodes of the original animated series, “Call of the Primitives,” saw all of the Transformers with animal modes teamed up against Unicron’s creator. The erudite but primal-looking Sky Lynx was -- and still is -- a fantastic foil for the crude Dinobots, and it’s more proof (not that it was required) that John Barber is as big of a Transformers fan as the readers.

Ironhide and the Dinobots are on the hunt for the Aerialbots, who disappeared around issue 2. In IDW’s continuity, the Aerialbots don’t combine ... at least, not yet. Combining is a complex and almost profane process which drove other stories like Spotlight: Optimus Prime and an arc of the previous ongoing series. Again, this is in line with MTMTE’s own focus on Transformer biology. Cybertron’s living wilderness comes into play with the fate of the Aerialbots, Dinobots, and Ironhide, and the ending of issue #9 seems to reference an infamous Transformers story called “The Beast Within.”

I’m really happy that Andrew Griffith is the artist on RID and Nick Roche and Alex Milne are the MTMTE art team. If it were the other way around, the books wouldn’t have the right tone. Griffith’s best-drawn character is Prowl, who is constantly plotting in the background. There’s less of an emphasis on him in this volume, but between the two Dinobot issues and “Syndromica,” little could have been done to avoid that. He certainly gets his due in the next volume. I also enjoy how Griffith draws the Neutrals -- they’re much more spindly since they’ve never had to take on forms that can accommodate human passengers.

There’s no question that Transformers: Robots in Disguise and More Than Meets the Eye are sister books; it helps that John Barber also edits MTMTE and he and MTMTE writer James Roberts frequently work out their story beats together. With the way that they sometimes double-ship, it sometimes feels like there’s a weekly book instead of two titles. The issues are often self-contained enough to be read as single stories ... but they’re also compelling enough that you want to keep reading once you’ve started. ComiXology helped me catch up on both books without having to wait a long time. It’s even allowed me to skip the Chaos Theory trade from the previous ongoing so that I can just grab the two issues from it that serve as the prequel to the current books.

Coming up from Doug next week: Let’s say you’ve just seen G.I. Joe: Retaliation and you want to read some of Larry Hama’s classic run. Where do you go? I’ll show you why the best answer is Classic G.I. Joe. Volume 3.

Mr. Morpheus works for the Nazis. Mr. Morpheus brings nightmares, which he promises to stop if the distraught dreamer gives up defense secrets. Mr. Morpheus has discovered some sort of hallucinogen. A couple of days ago we had a marijuana story, today a hallucinogenic story. This is not a trend, just a coincidence.

There is also a formula given up to Captain Marvel Jr by the inventor of a rubber substitute. (Although what Junior will do with a formula that is simply put as “X56Y43” escapes me).

This whole crazy story,with some good hallucination artwork by an unidentified artist, is from Fawcett’s America’s Greatest Comics #8 (1943), which was the last issue. The story reminds me of another story of dreams from Ibis the Invincible #1, which I showed in Pappy's #1032.